Where I Was This Week-July 7th 2012

July 7th, 2012

Bleeding Cool

A quieter week for me this week, but I got a couple of meaty stories to play with. The first movie adaptation of Lee Child‘s Jack Reacher series of novels has been completed, directed by Christopher McQuarrie and starring Tom Cruise. Given that Reacher is continually described in the stories as being a 6’5 slab of grizzled, death bringing meat, this surprised me a little bit. I talk about the newly released teaser, Cruise, fight psychology and fail to explain a point to the extent I maybe should have, just over here.

I also got handed The Dark Knight Rises press kit to play with, albeit in electronic form. Fun fact fact fans, I was part of the last generation of journalists to receive paper press kits. We used to get a big sheaf of A4 notes, a few black and white glossies from the movie and very occasionally some pens or t-shirts or such. A friend of mine still has the Anaconda press kit with the pop out Anaconda. And yes I’m still jealous. Anyway, I go through the Dark Knight Rises kit and pull out some interesting quotes, as well as some interesting things they’re not saying, here.

SFX

Over at SFX, this week’s Blogbusters is about mash-ups. Well, it’s actually about metatextuality and how you can throw a new light on one text by interlacing it or referencing it with another. Mash-ups are the song version of this and there are entire albums based around the concept, most notably by 2ManyDJs. The movie, TV or book version of it tends to be a little more indirect, with characters or locations being indirectly referred to or riffed upon. My favorite example remains Fringe, very much the spiritual successor to The X-Files, acknowledging it’s past with this gag.  Done right it’s glorious and often hilarious and that’s what we look at this week.

I’m also behind ‘Isn’t It About Time You Gave Blade: Trinity Another Chance?’ this week. The Isn’t It About Time… feature is great fun, and massively difficult, to do as you’re basically having an argument with yourself over something and writing it down. In this instance, it’s the third and by most people’s lights least of the Blade trilogy, although it remains one of my favorites even after being paid to rag on the thing incessantly. So if you fancy reading probably the nerdiest Socratic dialogue written this week, I’m your huckleberry.

Pseudopod

Finally, this week’s Pseudopod is The Rainbow Serpent by Vincent Pendergast, an elegantly tense piece of Australian horror that plays with a couple of my favorite tropes.

Judo Diary Week 2: Four Lessons

December 8th, 2010

6th December

The first lesson I learnt this week, I learnt about an hour before the lesson itself;

Lesson One: I have a negative body image. A fairly huge one.

There’s a cheap joke I’m not making here about how that seems only fair because I have a fairly huge body.

See that space? Up there? That’s where the joke I’m not making would sit.

This realization came to me six and three quarter days after being told at the end of the last session that we wouldn’t be able to wear t-shirts under our gi jackets from this week. The gi by the way is the thick, cotton suit you wear when you train or compete in Judo. It’s deliberately outsized because a lot of the sport is about getting a grip on the jacket in particular and using that to put your opponent where you want them. It’s an iconic garment, bulky and designed to protect you and baggy enough to give you freedom of movement and the jacket comes undone constantly because that’s where you and your opponent are holding onto each other.

Opened jacket and no t-shirt meant exposed manflesh. My exposed manflesh. My white, chubby exposed manflesh. I was not happy about this, in the slightest, to the tune of getting panicky to the point of a lump in my throat on my way down there. I didn’t want people who actually have muscles on their body to see my Baron Harkonnen from Dune-like torso and recoil in horror or laugh, or both.  After all, I’m a nerd! Look at my shiny brain! Pay no attention to the meatsuit!

So that was lesson one and I decided to attempt to deal with this by telling Steve, my training partner. Steve sympathised, told me he had a similar problem and, whilst he had a gi left over from the period where he took Karate, was quite happy to stand in front of me whilst I grabbed one of the club jackets and slung it over my white, pallid torso. I thanked him for this, told him it wouldn’t be necessary and only later did it occur to me that this was the first piece of Judo I learnt that night; sometimes you get someone to go where you want them to go, by agreeing with them. Reverse psychology for fun and profit, or in this case, fitness. Or, to be more accurate, lack of fitness, which led to lesson two.

The first section of each session is a warm up, which always starts out the same way. We jog around the mat and do exercises that the teachers call out to us. These start out with things like touching your right hand to the mat, then your left, then both, then your right ear.

Seriously.

Then running side on, then backwards, then forwards, all of which is designed to teach us how important it is to:

A)Have rock-solid cardio vascular fitness.

B)Be able to move quickly whilst keeping your feet as close to the ground as possible. The bigger the gap, the easier it is to trip you, pull you, push you, put you on your arse or your back.

C)Make me see a white tunnel of light with my ancestors beckoning me towards them.

This became particularly apparent, weirdly, during what should have been a relatively easy exercise. After managing three forward rolls in a row instead of two like last week, we were told to commando crawl down the mat towards the red section, then do five sit ups and five press ups. This I can do, crawling I can do, press ups I can do, sit ups? I can impersonate. But, after everything else this just blindsided me, the crawl became me dragging myself down the mat and by the time I got through the press ups I was about done.  But, of course, I wanted to keep going, no pain no gain, that which does not kill you makes you stronger and all that other masochistic nonsense.  Then they called out the next exercise which filled me with terror, or would if I still had any part of my body that wasn’t filled with the desperate need for oxygen.

There’d been a seminar the previous weekend taken by Craig Fallon, an international-level Judoka which meant that after the usual stuff, we were told to pair up, one person on all fours, the other standing on their back as they walked across the mat and back again.

I’m six foot one. Steve is six foot three. Neither of us are small. Even through my ridiculously bad vision I was able to see Steve walk over, kneel by the side of the mat and say ‘You know what? I think we should sit this one out.’

We did. And the one that followed it where one person had to crawl on all fours across the mat whilst the other did a handstand on their back. Later, Steve explained to me that this was something he’d learnt at Karate; there is never any shame in knowing when you’re going past the red line into full on exhaustion and sitting out on an exercise you know you can’t do. Hence;

Lesson Two: Get a training buddy. TRUST your training buddy.

After warm up we were taken off to one side by Phil, one of the instructors who works with beginners. He very, very sensibly took us through the hold down we’d learnt the previous week as well as breakfalls and then moved us onto two new throws. One of these, tai otoshi or ‘body drop’ is a fascinating, and elegant move where you grab your opponent, turn in place and use their momentum to carry them over your outstretched leg to land neatly on the mat, or near the mat. We are, after all, beginners.

Phil walked us through this movement by movement, repeating each one until it was second nature before folding the next one in and finally, executing the move. It’s not perfect, not close, after all, I’ve had ten minutes to practice the thing, but…I really, really like it. It’s the combination of grace and strength, physics and motion that really appeals to me, and the fact I was good at it, first time, is really pleasing to me.

Lesson three though, comes from how I was taught it, motion by motion, repetition building on repetition until it’s second nature and you, or your opponent, are sailing through the air before landing on your side on the mat.

Lesson Three: Every move is made of smaller moves. Learn them first, chain them together,.

By the end of the session I was tired, I was sore (I’d pulled a muscle in the bottom right hand quadrant of my chest which, unfortunately, I described after the lesson as ‘spraining my tubby’, a term which has stuck) but I was warmed up, I’d had fun and I was ready to wind down and go home.

Wrong choice.

The last ten minutes of each sessions is randori or free-sparring. This is where the instructors swap people around and use different restrictions (Throws only, ground fighting only, that kind of thing) to allow people of various abilities to train together and try out the techniques they’ve learnt. I did not want to do this. Steve did, I followed. See lesson two.

I was asked whether I wanted to spar with Wes, an American who worked at a military base outside one of the nearby towns. Maybe I was tired, maybe I was a little ashamed because I hadn’t wanted to compete and maybe it was the fact everyone is a pink blur to me without my glasses, but I volunteered. We bowed. A large blue blur came towards me, we locked up and began turning, both trying attacks, trying to push the other into a spot where a throw could be landed. I think I managed about eight seconds before Wes dropped me on my arse. Then helped me up, and asked Phil what I’d learnt. We bowed, locked up again, and I tried tai otoshi on him. I threw my not inconsiderable bulk into it, threw every ounce of mass and speed I knew how to into turning in and to the side and pulling him over my thigh.

He moved about half the distance he should, there was a split second pause and then he went the rest of the way himself. He landed perfectly, we bowed, he said well done, I walked off the mat and was almost sick I’d been working so hard. Then, Phil chose to tell me Wes had competed for the US in Judo.

I had just spent two minutes sparring with a US marine fireman who competed internationally in Judo. He hadn’t killed me. He hadn’t injured me. He’d had dozens and dozens of ways out of every single thing I’d thrown at him in what, to him, must have looked like slow motion. He’d let me throw him.    He’d helped me.

Lesson Four: Be polite, be courteous, be helpful, learn from everyone and everything.

I’m writing this two days out from the session and whilst my tubby sprain has largely healed, my right knee is complaining very loudly and I don’t care. Because I learnt four lessons on Monday and I’m looking forward to what I learn next week.

Where’s Al?-The Bigger on the Inside Edition Part 2

September 25th, 2009

Journalism

I filed my first story for a national newspaper this month. The Guardian are producing two ‘Guides to the Night’ at the end of October and the Guide editor, Phil Daoust, contacted me about writing a piece about telling ghost stories to live audiences.
It was massive fun to do, covering environment, story, audience and performance and it really helped me focus in on the mechanics of storytelling. The piece is scheduled for print on October 24th and I even get a photograph, hopefully looking moody standing in an archway. I suit archways.

I’ve also had two pieces published by SFX recently; the first covering the apparent discovery that the melanin in human hair could be used as a conductor in solar cells instead of silicone. It’s a dizzying claim that promises that solar cells could be produced for a quarter of their current cost and, in turn, offers up the possibility of cheap, affordable electricity for some of the world’s most inaccessible places. It’s a dizzying, beautiful concept which sounds too good to be true.

Which, unfortunately, it was. Not long after I filed the piece the student who’d made the discovery admitted it was a fraud. It’s a real shame too as it’s one of those ideas that should work.

My second pieces was much more successful, thanks largely to FantasyCon actually taking place instead of people just claiming it did. My Con report went live this week and includes details of books by Mike Shevdon and John Lenahan, my role in the BFS Awards ceremony and the news that Being Human novels are due next year. Parts of this piece are also scheduled to turn up in the magazine itself as part of their convention round-up.

Fiction
More Twitter fiction, just a single one this time, sold to Jetse Devries’ excellent Outshine and published on September 10th. It’s a tiny little piece but I like it, and would I think, rather like to live in the city it describes.

Roleplaying

With the game just a couple of months away, I can now announce that I’m one of the senior scenario writers on the Doctor Who Roleplaying Game. Or, to put it another way, two decades upstream? 12-year old Al is a very, very happy kid knowing he still has this gig to look forward to.

I’ve not just got to play in the official Doctor Who universe I’ve also got to shape it a little bit, expanding a couple of the lesser alien races and building an interesting little playground that should make a fun location for players to bounce off from time to time. I’ve had immense fun and the two scenarios I’ve got in the game are a nice combination of classic Who (Something nasty in the green and pleasant land, let’s solve things with science! Run! Run some more!) and my own unique style (Government conspiracies! Brave new world! Radio 4!). I’m both very excited and a little nervous about how they, and the adventure seeds I contributed, are going to be received. Not long to go now…

Reviews

A few years ago, I contributed a story to Andrew Hook’s ‘The Alsiso Project’ anthology. It was a gloriously odd idea, taking a spelling mistake and using it as the starting point for twenty three completely unique stories. Mine was a lecture, delivered by someone who has discovered that Alsiso is the name for something we haven’t quite reached yet, a linguistic tenth planet of sorts.

It was also pretty much hated on release, which is fine, each to their own after all. However, CERN Zoo just put up a spectacularly good review of both the book and my story which I’ve linked to here. I always rather liked my Alsiso story and it’s a real pleasure to see someone else does too.

So there we go, a busy couple of months. Thanks for sticking with me and check back soon for more pop culture goodness.

Where’s Al?

August 12th, 2009

Because some people have asked about this, I’m going to put up some links to where I can be found online at the moment.

Podcasting

The excellent ‘Raising Eddie‘ is up at Pseudopod this week by Mark Felps and read by Cayenne Chris Conroy.  It’s a great story and as usual, I’ve done the intro and outro.

I also narrated ‘Castor on Troubled Waters‘ for Podcastle last week.  Written by Rhys Hughes it’s the story of one man, lots of pirates and a series of unlikely coincidences.

Journalism

I’m part of SFX’s team of bloggers and my most recent piece went up this week.  Called ‘Surviving the Zomblogalypse‘ it’s about the aptly named Zomblogalypse.com, a web series about traditional flat sharing concerns like doing the shopping, who does the washing up, the rise of the undead and what the exact rules of ‘meat legs’ are.

I’ve been blogging for SFX for a while now and it’s led me to some really interesting subjects including these beautiful aerial robot penguins (Yes, really) and this piece, about why geeks have in fact won and some of us have no idea what to do next.

Meanwhile my reviews of the pilot episode of Warehouse 13 and what may be the only episode of Virtuality are up at Total Sci Fi.

Fiction

I’ve been doing a lot of Twitter fiction recently.  It’s a fascinating form, telling a story in less space than most song lyrics and I’ve sold several to some of the major Twitter anthologies.  One of the first, Thaumatrope, archives its stories by author and mine can be found here.

I also sold this piece to Nanoism which is the second oddest thing I’ve ever written but still makes me smile.

Hub

Over at Hub which I’m now editing, our most recent issue features short fiction from Simon Frayne, a piece about sexuality in Torchwood, an interview with the creator of Usagi Yojimbo, Stan Sakai and reviews including Moon and Torchwood: Children of Earth, the latter contributed by me.

Sherlock Holmes-Eliminating the Impossible

June 19th, 2009

This is Sherlock Holmes’ year, we’re just living in it. No less than three new versions of Conan Doyle’s classic detective are launching this year across three different media and three very different approaches. The obvious question of course is why? The less obvious question is which, if any, will succeed?

It seems oddly fitting to start with the version of which we know least. Sherlock filmed in January, a sixty minute pilot designed to update the character to modern London. Superficially it’s the least interesting of the three until, that is, you examine the cast and crew.
Created by Stephen Moffat, about to take over the reins of Doctor Who and co-created by Moffat and Mark Gatiss, Sherlock appears to have taken great pains to maintain the basic tenets of the characters and stories. Holmes is still brilliant but socially inept, Watson is still compassionate, slightly dogged and his closest friend. They even live at the same address.
But Moffat and Gatiss both have a reputation for surprising decisions and the fact that Moriarty is mentioned in the press release is I suspect, very deliberate. This has the potential to be one of the most interesting takes on the character in decades and with Benedict Cumberbatch as Holmes and Martin Freeman as Watson, the central cast are certainly about as strong as it’s possible for them to be. Sherlock looks set to air later this year and it’ll be interesting to see how it fares.

Stepping across to comics for a moment, Leah Moore and John Reppion are currently writing a Sherlock Holmes series for Dynamite Entertainment. Moore and Reppion have been quietly carving a name for themselves in the industry for some time now and their Albion series was simultaneously a celebration and a particularly nasty subversion of some classic English comic characters. They get the peculiar combination of courtesy and violence, tea and blood-soaked shirts that lie at the heart of this sort of English fiction and it’s this sensibility that they bring to Sherlock Holmes. The idea behind the series is simple; these are the stories Conan Doyle didn’t get to tell, stories set in the Victorian London we know so well, starring Holmes, Watson, Lestrade and the rest but in comic form.
The end result is impressive. The debate about whether comics are better telling decompressed serials or compressed stand alones is rendered moot here as the script, along with Aaron Campbell’s art imitates the erudite language of Conan Doyle’s work through pacing rather than dialogue. The first story, ‘The Trial of Sherlock Holmes’ is currently two issues in and in that time we’ve seen Holmes arrested for a murder he seemingly cannot be innocent of, Watson and Lestrade united against a curiously unhelpful Chief of Police, Holmes remarkably relaxed to be in prison and something terrible moving in the shadows of London High Society. These two issues are packed with incident and information, filled with exactly the sort of dense, informative plotting Conan Doyle excelled at but unfold at a unique, deliberate pace. This is prose storytelling in comic form, done not just right but exceptionally. The principles of the character have rarely been more honoured without it once seeming like slavish adherence to the text.

At the other end of the spectrum, the trailer for Guy Ritchie’s Sherlock Holmes film arrived a couple of weeks ago and caused a minor stir in fan circles. The film casts Robert Downey Junior as Holmes and Jude Law as Watson and judging by the trailer sets them against the beginnings of the occultist and spiritualist movement that Conan Doyle himself would become so infamously drawn to.
The trailer is just over two and a half minutes long, gives both Downey Jr and Law a chance to shine and drives home one point over and over again; this is not your father’s Sherlock Holmes. It shows Holmes engaged in a bare knuckle boxing match, a singularly inept fight with a villain in a shipyard, diving out of the House of Commons into the Thames, failing to pick a lock and being knocked out by Irene Adler. There’s gunplay, explosions and the sort of rapid fire deadpan humour that Downey Jr excels at.
It looks, in short, marvellous. This is the other road to take with Sherlock Holmes, eschewing purism for a format where the characters are rendered down to their barest essentials (Brilliant, eccentric detective, compassionate, long suffering friend, charming, wily female criminal) and then something entirely new is built on top of them. It will, and has I’m sure, enrage purists as the character appears to be rendered down to nothing more than Indiana Jones in period London, the Doctor without his TARDIS.
But that’s not the point. The point is, Holmes CAN be rendered down in this fashion, can be altered, changed as the author requires. He’s very nearly a perfect character, unique but mutable, an ideal that stands a little outside the norm and able to reflect whatever an author brings to it. Holmes is a mirror held up not just to the crimes he investigates and the society within which they occur but also the authors who stand behind him.

This is the central point of Paul Cornell’s magnificent ‘The Deer Stalker’. Available for free on the BBC website it’s a dizzying story that begins with Watson in hiding as mysterious soldiers stalk London and culminates in a moment of post-modern surrealism that not only explains every different incarnation of the character but puts each on an equal footing. He’s an elemental, pure figure and as a result is oddly mutable, a figure adept at disguise be it textual or meta-textual.

Which brings us to the definitive Holmes variation; Gregory House. He’s an irascible, bitter, sarcastic junkie with a dogged, overly compassionate best friend, an establishment figure who is as irritated by him as they are awed and a group of young, eager hopefuls who want to prove themselves. He even lives at 221B.
The medical detective show is in its fifth season and, for all the changes made to cast and plotting, for all the focussing in on the lives of individual characters and the quietly dark hearts of the Princeton Plainsboro staff, the stories remain basically the same; a patient with impossible symptoms is admitted, House tries something and it works a little then fails, tries something else that fails and makes it worse then tries something else and nine times out of ten, cures the patient. Not everyone goes home whole but by and large, everyone goes home. More often than not, House wins and more often than not, he takes no satisfaction from that at all, constantly turning to the next puzzle, the next case. He’s a constant, both in the hospital and the series and that has itself become a plot point. Recent episodes have begun to explore the concept that House is terrified of change, that his constant bullying and cajoling of patients and staff is to hold them in line, to keep them from breaking ranks, breaking the pattern.
This is the genius of the show, taking the format of the original stories and hanging a lantern on them, using that repetition as a character beat in and of itself. House is a constant and he’s trapped by that constant, his genius a fragile structure based on a single friendship and the total control he exerts over his staff.
House is Holmes taken to the nth degree, a snarling, sarcastic figure with a horrific childhood that tortures as much as it enables him. The last half season alone has seen him attempt suicide in the name of clinical information, risk permenant brain damage in a desperate attempt to save the love of his best friend’s life and hire a private detective to keep tracks on his friend and his staff. He’s a disaster, a barely functional human being who uses his constant humour to hide the very intellect, the very concern he’s desperate to prove he doesn’t have. House is a far darker, far more driven figure than Holmes and when the time comes for his Reichenbach Falls it’s very difficult to imagine him returning.

But for all the vicodin and motorcycles, the prostitutes and the lewd comments, at his core, Gregory House is Sherlock Holmes. He’s the same driven, brilliant, slightly doomed figure updated to the present day and placed in an entirely unique context that not only allows him to stand out but also throws a blinding light on Sherlock Holmes and the lives the two men all but share.

When it comes down to it, Holmes is Holmes, regardless of whether his name is Sherlock or Greg, whether he’s in print or on the screen, in 19th Century London or 21st Century America. He’s both unique and uniquely mutable and that means he can be whatever is required of him, however impossible, or improbable, it may seem.

Whales, Steampunk and Ice Circles

June 4th, 2009

The Whale and Dolphin Conservation Society have put this up. It’s beautiful, odd, and deeply unsettling.

Doctor Julius T. Roundbottom is a dedicated gentleman of science who chronicles the interaction in City Park between native animals and invasive species from other worlds. Fire up the Informatitron and prepare to be amazed…

Lake Baikal is the deepest lake in the world, referred to as the ‘North Sea’ in historical Chinese texts. So what’s making these strange markings on its surface?

Welcome to AlasdairStuart.com

March 11th, 2008

Hi. I’m Alasdair.  Welcome to my website, where I’ll try and post something interesting regularly.